No matter if you’ve been shooting automotive racing for years or if you’re new to the subject, this new workshop will sharpen your creative eye and give you inside access to the world of vintage car racing at California’s famed Sonoma Raceway. If you read Sportscardigest.com, own a sports car, or know the names Jesse Alexander, Bernard Cahier, or Pete Lyons and have always wondered how they captured their wonderful images, you will profit from this class.
Your ticket trackside at the Sonoma Raceway will be award-winning automotive photographer Dennis Gray—this is an incredible opportunity to work alongside a photojournalist working on assignment. Dennis will show you how to approach Sears Point and historic/vintage cars to create images that truly stand out.
We’ll photograph every aspect of car racing, at the track, in the pits, and in the hot pits. We’ll learn to use techniques like panning and stop action, learn to choose the best lens for the situation, and capture reflections and light refractions to create images of these vintage race cars that will really make an impact.
Each day, we’ll have lunch in the Sportscar Vintage Racing Association’s media room alongside journalists, photographers, and other members of the media covering the event. The SVRA has been instrumental in helping us set up this workshop. With over 2,500 licensed drivers, they are the largest organizations in the country for vintage car racing; their singular goal is to make safe, fun, and fair vintage racing events memorable and enjoyable for all involved.
Our workshop can handle a maximum of six participants. This small group will allow us to move freely inside the spaces at Sonoma normally reserved only for working press photographers and journalists. We’ll photograph the action trackside and go down to the pit to meet the owners, drivers, and crew members and photograph these gorgeous automobiles up close.
Whether you’re a long-time automotive shooter or new to car racing, with the access and instruction provided in this workshop, you’ll go home with a set of images that you’d never be able to get on your own.
And—included in the price of the workshop, each participant will get five 11×17 prints on Epson Premium Luster paper of photographs made during the weekend in Sonoma.
Thursday, June 1, 7:30AM: The workshop will begin with a meeting to discuss track etiquette and safety both around the track and in the pit. Then we’ll head out to the track for a tour to introduce students to the various shooting locations available, explaining the pros and cons of each shooting location.
Friday, June 2, 7:30AM: The day starts with a group meeting at 7:30. Spend the morning shooting the drivers’ meeting and then shoot in and around the pits before heading out to the track. Expect to visit four shooting locations depending on light and weather. We’ll focus on shooting subjects for magazine publication. Lunch break in the SVRA media room with press and photographers covering the event. In the afternoon we’ll shoot at the track until closing time. We’ll finish the day with a short meeting.
Saturday, June 3, 7:30AM: The day starts with a group meeting at 7:30. Spend the morning shooting in and around the pits before heading out to the track. Lunch break in the SVRA media room with press and photographers covering the event. Afternoon shooting will focus on late light locations and creative techniques for light. In the evening we’ll attend the AVRA track party where we’ll have an opportunity to meet and photograph the drivers, owners, and crew members away from their cars.
Sunday, June 4, 7:30AM: The day starts with a group meeting at 7:30. We’ll photograph the hot pits—we’ll get close-ups of drivers in their cars waiting to go on the track. Lunch break in the SVRA media room. In the afternoon it will be photographer’s choice: track or pit shooting (no hot pits). We’ll close the workshop with a final short meeting at the end of the day.
Tuesday, June 13, 7–9PM: Dennis will hold a critique session at The Image Flow to discuss work made during the weekend in Sonoma. Workshop participants who live outside the Bay Area will be able to join the critique session via Skype (or another online meeting platform if it’s determined to be more convenient for the group).