Gary Yost: West Peak, The Project, Part 3
Landscape time-lapse video requires movement to be interesting. That’s usually accomplished by motion control and (more importantly) dramatic moving light in the form of clouds and shadows. In the Bay Area that means winter is our window to shoot time-lapse of any weather besides fog. (As I demonstrated in my Day in the Life of a Fire Lookout video<, fog can be a great subject but when you’re on top of a mountain and pointing the camera upwards it doesn’t help much.) I began shooting for the West Peak project in late December and by early January I had learned a lot about what I need to do to get the shots I want. The West Peak area I’m working in is between 2450 and 2530 feet in elevation and when the cloud ceiling is just around that height the scene becomes very dramatic. The sight of the clouds rolling across the landscape and breaking to reveal the Marin headlands provides strong visual cues that we are on the top of a mountain.