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Once in a while, we receive a special request for photography instruction tailored to a specific group, or perhaps a location. And sometimes, we get a request for both, allowing us the opportunity to create a truly unique experience for students of photography in a fascinating place. It all started with a phone call […]
Congratulations to The Image Flow’s 2018 Artist in Residence Program recipients: Francis Baker and Sarah Rose Weitzman. As you may already know, The Image Flow recently held a call for submissions to our brand new Artist in Residence program, with the goal of providing our equipment and resources to assist a photographic artist with the […]
Of all the eras and styles in the medium’s history, art historian and photographer Jeffrey Martz is most drawn to the 19th-century amateur pictorial photographers such as Lewis Carroll, Clementina (Lady Hawarden), and Julia Margaret Cameron.
“An amateur photographer was a clearly-defined category of maker in the 19th century, someone who pursued photography seriously but not professionally. They weren’t in a studio trying to please a client, and because of this, they were free to make the best possible pictures in whatever style they wished. They did their work literally for the Latin root of the word—amore—or love,” Jeffery explained.
Arthur Wechsler discovered photography at an early age. His grandfather was a photographer in the Korean War and Arthur had one of his old cameras sitting in his room “forever.”
“One day, I think a year before he passed away, I asked for a camera, and he got me one for Christmas. I was 11 or 12 at the time,” Arthur said.
You may have noticed a new face at The Flow over the past several months. Meet Anton Belov: His official title is Production Assistant, and in his time here, he’s proven to be a valuable member of our small team.
A recent graduate of California College of the Arts with a BFA in Illustration and a freelance graphic designer, Anton Belov has been doing a little bit of everything at The Image Flow, from printing photographs to designing fliers to being available for the next task, whatever it might be. When he is not at The Flow, he can be found freelancing for a number of clients such as Stanford Children’s Health, Saint Mary’s College of California, or the Paramount.
“Recently I’ve been gravitating toward illustration, moving away from graphic design and becoming more interested in the image-making part design, rather than shapes and text,” he said.
Jeff Zaruba and I arrived in Umbria a few days before the workshop began to scout locations with our Italian assistant Lorenzo. Those first couple of days were busy, but they were nothing compared to the non-stop action once the workshop began.
We had 10 students in the group and one of the students brought along his wife. On our first day of shooting, we went to a bed and breakfast we’d scouted a year ago. The location is extremely picturesque and Eleanora was all ready for us: The kitchen was set up for us to shoot while she prepared lunch, and she’d planned a wonderful menu.
