Photographer and filmmaker Gary Yost will present a series of short films at the O’Hanlon Center for the Arts including the premier of his new project, Mountains Made of Chalk, Fall into the Sea, Eventually The film features the work of artist Genna Panzarella, who paints a 10-foot-wide mural of Mt. Tamalpais as it was when it was whole—literally inside what used to be the mountaintop. The film will premier with Gary’s new series about Mill Valley at a special event at the O’Hanlon Center for the Arts on Thursday, April 2 at 7PM.
Photographer Catherine Karnow has made a name for herself shooting surprising and thought-provoking images of Vietnam since 1990. Her new retrospective will open at the Foreign Correspondents’ Club in Hong Kong March 9.
Catherine is well known in Vietnam: She began shooting in the country in 1990, and calls the late General Giap a personal friend. In 1994, she was the only foreign journalist invited to accompany him privately to Dien Bien Phu, the site of the battle that won Vietnam independence from the French.
Jock McDonald went to Cuba for the first time in 1990 with Bernardo Gonzalez, the son of Mexican Minister of Culture Juan Francisco Gonzalez. The elder Gonzalez had had become somewhat of a mentor to Jock on Latin American culture after giving him his first retrospective show in Mexico. “Juan Francisco said to me, ‘You’ll never understand Latin America if you don’t understand Cuba,’” Jock recalls.
“But he said, ‘I’m not going, I’m married. I’m going to have my son take you.’ I will never forget the look in his son’s eyes, the look that said, ‘I’m not taking a gringo to Cuba!’” Jock laughs.
Since 1990, photographer he has made some 50 trips to Cuba. What keeps him coming back, are the friendships he has found.
This month, The Face of Water, a series of portraits by Rudi Dundas that tells the stories of people affected by the lack of clean drinking water, opens at the World Affairs Council in San Francisco. On February 26, Rudi will give a lecture about the images at The Image Flow.
How can we let our kids be kids, to see the way kids see, while still teaching them something about photography? Hillary Sloss is a veteran photojournalist based in Marin County and a digital and film photography instructor at the San Francisco Waldorf High School. Her new class, Digital Photography for Youth, is designed especially to encourage young people to explore their world through photography.
The idea is, she says, to help young photographers create beautiful images that are youthful, but not childish. “It’s important to give young photographers enough so that they can advance their photographic skills, without inundating them too many rules,” says Hillary.
The Image Flow is pleased to celebrate the unveiling of Tiburon portrait and figurative artist Ingrid C. Lockowandt’s original acrylic painting and award-winning photograph, The Harmonica Player, on Saturday, September 13 from 6 to 8PM.
Throughout his career, Minor White sought to photograph things not simply for what they are, but for what they might suggest—his images are full of symbolic and metaphorical allusions. Born in Minneapolis in 1908, White came of age when homosexuality was socially unacceptable and sought comfort in a variety of Western and Eastern religious practices.
Teacher and artist Brian Taylor talks about his education, teaching and the “voodoo” of alternative process photography.
Ed Kashi is a photojournalist dedicated to documenting the social and political issues that define our times. In addition to editorial assignments, filmmaking, and personal projects, Kashi is an educator who instructs and mentors students of photography, participates in forums, and lectures on photojournalism, documentary photography, and multimedia storytelling.
“I’m driven by this fact: that the work of photojournalists and documentary photographers can have a positive impact on the world,” says Kashi.
Mill Valley resident and photographer, Sharon Caplan Cohen, tells her story of working with The Image Flow while she was creating the images for her show, Renewal.
Sharon had been making flower Mandalas at her home and photographing them as a way of working through the grief of her mother’s death.
After my mother’s passing and many losses in my life, I found myself in an existential crisis. Daily there was a sense of bewilderment, grief and pain. What emerged was a year long journey making three dimensional mandalas and photographing them. Mysteriously, they started illuminating my soul, when the outward world appeared dry and confusing. The photographs came to represent a journey of loss and resurrection.