Vivian Maier: Out of the Shadows

Vivian Maier’s riveting street photographs sent shockwaves around the photographic world when first shown in 2009.
A Sit Down with Ed Kashi: Part 1

Part 1 of an Interview with Ed Kashi
Agent Orange Awareness Campaign by Catherine Karnow

Powerful, emotional photography makes a big difference.
Instagram Work by Michelle Grenier

Beautiful iPhone images by Michelle Grenier.
Sarah Rice SPEAKS at DocuPhoto

Sarah Rice is a documentary photographer interested in exploring the elements that bind human beings to one another.
Interview with Brian Taylor

Teacher and artist Brian Taylor talks about his education, teaching and the “voodoo” of alternative process photography.
David Gonzalez: Making Pictures, Finding Solutions

Featured today on the New York Times Lens Blog, David Gonzalez writes about Ed Kashi’s documentary project, Island of Widows about Nicaragua’s kidney disease crisis.
Ed Kashi: The Power of Photojournalism

Ed Kashi is a photojournalist dedicated to documenting the social and political issues that define our times. In addition to editorial assignments, filmmaking, and personal projects, Kashi is an educator who instructs and mentors students of photography, participates in forums, and lectures on photojournalism, documentary photography, and multimedia storytelling.
“I’m driven by this fact: that the work of photojournalists and documentary photographers can have a positive impact on the world,” says Kashi.
Brent Stirton: A Native Son’s Ode To Nelson Mandela

From National Geographic Photographers Expound on the Power of Photography I am a South African who lives abroad, based in a place far from my own country. They say you carry your land in your heart, but it’s not true—you forget what makes your country unique if you spend too much time away. I experienced […]
Sharon Caplan Cohen: Renewal

Mill Valley resident and photographer, Sharon Caplan Cohen, tells her story of working with The Image Flow while she was creating the images for her show, Renewal.
Sharon had been making flower Mandalas at her home and photographing them as a way of working through the grief of her mother’s death.
After my mother’s passing and many losses in my life, I found myself in an existential crisis. Daily there was a sense of bewilderment, grief and pain. What emerged was a year long journey making three dimensional mandalas and photographing them. Mysteriously, they started illuminating my soul, when the outward world appeared dry and confusing. The photographs came to represent a journey of loss and resurrection.