For the Love of Photography: Jeffrey Martz on the Amateur Spirit

Willamette Valley Jeffrey Martz
Of all the eras and styles in the medium’s history, art historian and photographer Jeffrey Martz is most drawn to the 19th-century amateur pictorial photographers such as Lewis Carroll, Clementina (Lady Hawarden), and Julia Margaret Cameron.
“An amateur photographer was a clearly-defined category of maker in the 19th century, someone who pursued photography seriously but not professionally. They weren’t in a studio trying to please a client, and because of this, they were free to make the best possible pictures in whatever style they wished. They did their work literally for the Latin root of the word—amore—or love,” Jeffery explained.

Self-Taught Teen Explores Identity Through Film Photography

arthur wechsler self portrait film photography
Arthur Wechsler discovered photography at an early age. His grandfather was a photographer in the Korean War and Arthur had one of his old cameras sitting in his room “forever.”
“One day, I think a year before he passed away, I asked for a camera, and he got me one for Christmas. I was 11 or 12 at the time,” Arthur said.

Between the Lines of Illustration & Photography: Meet Anton Belov

anton-belov-Body Politic
You may have noticed a new face at The Flow over the past several months. Meet Anton Belov: His official title is Production Assistant, and in his time here, he’s proven to be a valuable member of our small team.
A recent graduate of California College of the Arts with a BFA in Illustration and a freelance graphic designer, Anton Belov has been doing a little bit of everything at The Image Flow, from printing photographs to designing fliers to being available for the next task, whatever it might be. When he is not at The Flow, he can be found freelancing for a number of clients such as Stanford Children’s Health, Saint Mary’s College of California, or the Paramount.
“Recently I’ve been gravitating toward illustration, moving away from graphic design and becoming more interested in the image-making part design, rather than shapes and text,” he said.

Non-Stop Action at Our Slow Food Workshop in Umbria

photography workshop italy umbria
Jeff Zaruba and I arrived in Umbria a few days before the workshop began to scout locations with our Italian assistant Lorenzo. Those first couple of days were busy, but they were nothing compared to the non-stop action once the workshop began.
We had 10 students in the group and one of the students brought along his wife. On our first day of shooting, we went to a bed and breakfast we’d scouted a year ago. The location is extremely picturesque and Eleanora was all ready for us: The kitchen was set up for us to shoot while she prepared lunch, and she’d planned a wonderful menu.

Fading Traditions: Papua New Guinea in Color

Fran Meckler Papua New Guinea documentary photography
Photographer Fran Meckler is passionate about her social documentary work—she’s visited more than 70 countries over her career. Her latest images were made during a two-week trip to Papua New Guinea where she documented in vivid color the changing landscape, the lives of many different tribes and what is still left of tribal life in the 21st century, and the mystery of that very foreign culture.
In a new exhibition at the World Affairs Council in San Francisco, Fran will show 25 images from the trip, printed by The Image Flow.

The Ins & Outs of Photographing Auto Racing

photographing auto racing dennis gray DSC_6133
Dennis Gray was introduced to photography right about the same time his father started sneaking him into the Stockton sport races in the trunk of his car—he was 14. “I got a Nikon F, one of the first ones they made in 1959, and at the same time, my father bought a go-kart that he and I raced. We were both gear heads,” recalled Dennis. “He snuck me into the races so he didn’t have to pay the $2 entry fee.”