Fine art photographer Hendrik Paul is best known for his surreal black and white landscapes of the Marin Headlands, but he also likes to venture out at night to take ethereal images in both urban and rural settings.
Here our most accomplished night shooter shares his tips for night photography, from the best equipment to use to the best time to shoot, so you can start taking beautiful photos at night!
Ever get up at the crack of dawn and haul out of the hotel/condo/AirBnb with a cup of coffee and camera and haul down to a beautiful beach or center of a quaint Eastern European city ready to take the perfect sunrise photography, only to be overcome with the feeling that it’s already been done? Here, travel photographer Jeff Zaruba offers five tips for turning the ordinary into extraordinary.
In Wish You Were Here, author Bob Roberts details the life and work of his father Mike Roberts, which spanned more than 50 years. A self-taught pioneer in the development of color photography and printing, Mike was a 20th-century icon known as America’s Postcard King.
Lightroom expert and in-house retouching specialist Taralynn Lawton worked three years to retouch 70 of Mike’s historic color and black and white images.
“There was one piece that we had from the cover of a Disneyland magazine. It was really a disaster and she patched up the color and the image so that you have no idea,” says Bob.
Zac Mosher, a 14-year-old student at Mill Valley Middle School, has been spending several hours per week in the darkroom at The Image Flow for the past six months processing and printing his black and white images.
“I actually started shooting film after I started with digital, but I wasn’t super into photography at the time,” he says. Later, he discovered his mom’s old cameras while going through a storage unit with his parents. “I thought they were really cool. So I got the cameras and went out and got some film. That’s what really sparked my interest.”
Jock McDonald went to Cuba for the first time in 1990 with Bernardo Gonzalez, the son of Mexican Minister of Culture Juan Francisco Gonzalez. The elder Gonzalez had had become somewhat of a mentor to Jock on Latin American culture after giving him his first retrospective show in Mexico. “Juan Francisco said to me, ‘You’ll never understand Latin America if you don’t understand Cuba,’” Jock recalls.
“But he said, ‘I’m not going, I’m married. I’m going to have my son take you.’ I will never forget the look in his son’s eyes, the look that said, ‘I’m not taking a gringo to Cuba!’” Jock laughs.
Since 1990, photographer he has made some 50 trips to Cuba. What keeps him coming back, are the friendships he has found.
I’ve been to a banquet—Hendrik Paul’s new show at The Image Flow, Light From Within. It’s a show with crescendos of excitement and photographs that grant the viewer entry into the personal vision of an emerging voice. There are some many faceted gems here. As with any emerging photographer, about one third of the show consists of classic image making. Though masterful, as classic uses of composition, light, tonal value, subject matter, etc., they are images that don’t add anything new to the vocabulary of photography and don’t clear his unique voice. However, these are silenced by the majority of the show, which consists of images that not only add words and phrases to photography’s vocabulary, but also employ these additions to convey stories of genuine seeing.