home sick, "American Homes 5", Artwork © Francis Baker
Congratulations to The Image Flow's 2018 Artist in Residence Program recipients: Francis Baker and Sarah Rose Weitzman. As you may already know, The Image Flow recently held a call for submissions to our brand new Artist in Residence program, with the goal of providing our equipment and resources to assist a photographic artist with the creation of their personal work. With the institution of this program, we are proud to show our continued support to the photography community as a ...
Charles Nearburg’s 1969 Porsche 917K, Chris MacAllister's 917K, and Bruce Canepa's 917K into turn eleven Sunday.
Dennis Gray was introduced to photography right about the same time his father started sneaking him into the Stockton sport races in the trunk of his car—he was 14. “I got a Nikon F, one of the first ones they made in 1959, and at the same time, my father bought a go-kart that he and I raced. We were both gear heads,” recalled Dennis. “He snuck me into the races so he didn’t have to pay the $2 entry fee.”
Tennessee Valley is where Liz Caroli goes to admire nature's forces. "I feel very fortunate to live near such a beautiful place and to witness something different each time I take to the trails." Photo © Liz Caroli.
Liz Caroli is a recently retired teacher with a newfound passion for photography, but looking at her photographs, you might think she’s been shooting for a very long time. However, she bought her first “real camera” barely three years ago. She credits her rapidly improving skills behind the camera to hard work and the excellent teaching skills of the instructors at The Image Flow.
Her first initial impetus to pursue photography came during a trip to Belize. On a side trip to Half Moon Caye National Monument, Liz snapped a few shots of a flock of birds flying overhead.
Self-Portrait in Octopus, 2009. Photo © David Favrod.
It is no secret that the medium of photography has become increasingly complicated by the advent of the digital age. Nearly every image we encounter—from advertising and billboards to packaging and fine art—receives some level of digital treatment before arriving in our periphery. Altered images have become so commonplace that they are no longer questioned.
Knowing this, why then is there a persisting notion of photography as a mechanism of truth? It seems to exist as a residual concept of the photograph as something objective and substantiated by its relationship to reality.
But what we perceive to be real is malleable and shifting. This is where my personal interests in photography seem to manifest, in a space where artists are free to toy with the artifice that is inherent to photographs. Through individual choices regarding process, presentation, and content, the following are a few contemporary photographic artists that tread the boundaries of illusion and reality.
This portrait of ballerina Misty Copeland is one of approximately 60 new portraits that make up Annie Leibovitz's new exhibition Women: New Portraits.
Annie Leibovitz, a San Francisco Art Institute alum, began her famed career as a photojournalist for Rolling Stone in the early 1970s. Over the past 40 years, she has created some of the most stunning and most controversial photographs of her day. Her new exhibition Women: New Portraits now on display at the Presidio’s Building 649 at Chrissy Field features portraits of some the world’s most influential women, from ballerina Misty Copeland to anthropologist Jane Goodall to Facebook COO Sheryl Sandberg.
Hendrik Paul made this photo on a night train in Poland using lighting as his flash. Photo © Hendrik Paul.
Fine art photographer Hendrik Paul is best known for his surreal black and white landscapes of the Marin Headlands, but he also likes to venture out at night to take ethereal images in both urban and rural settings.
Here our most accomplished night shooter shares his tips for night photography, from the best equipment to use to the best time to shoot, so you can start taking beautiful photos at night!
Lundy Canyon, 1993, 4x5 platinum/palladium print. Photo © Kerik Kouklis
Photographers who work with the historic, hand-made or otherwise alternative printing processes know that a good print requires a good paper. Each process has different requirements for what makes a “good” paper, and those of platinum/palladium printing are among the strictest.
It’s been almost 30 years since Kerik Kouklis made his first platinum/palladium print, and in that time, he says there’s never been such a selection of new and improved papers coming onto the market at the same time.
Here, in his own words, Kerik reveals the best of the best from long-time industry stalwarts Hahnemühle, Legion Paper, and Arches.
Burnt palms near Mecca, CA, 2015. Photo © Ted Orland.
Ted Orland is one of The Image Flow’s favorite wandering photographers, with a love of photography and life that is truly infectious.
He began his career as a young graphic artist working for famed designer Charles Eames and later served as photographer Ansel Adams’s assistant. Now a celebrated landscape photographer himself, Ted’s portfolio spans classical black and white photography, hand-colored photographs, and one-of-a-kind multi-image panoramas. He also co-authored the best-selling artists’ survival guide book Art & Fear: Observations on the Perils (and Rewards) of Artmaking.
This spring, Ted will lead a new landscape and travel photography workshop to California’s Salton Sea and Joshua Tree National Park along with Brian Taylor, artistic director of the Center for Photographic Art.
In his own words, Ted shares seven of his favorite photography subjects throughout in this unique region of California.
During his 20 year career, Ramses H. Batista work has spanned portraits, social documentary, landscapes, and nudes. Photo © Ramses H. Batista.
Ramses H. Batista is one of Cuba’s most renowned modern photographers, his career spanning more than 20 years and virtually every subject imaginable: portraiture, social documentary, religion, landscapes, and most recently, nudes. But Batista didn’t start his artistic career as a photographer; as a young man, he was a painter, until one defining interaction with an instructor changed his path forever.
“His painting instructor told him, ‘You’re a terrible painter. But you would be a very good photographer,’” says San Francisco-based photographer Jock McDonald, a long time friend of Batista’s who has himself made more than 50 trips to Cuba.
Ramses took his instructor’s advice and turned toward photography and cinematography. He has since worked with several Cuban and international photography agencies and magazines, and has had numerous solo exhibitions in Cuba, Canada, and Europe.