It’s been a busy summer at The Image Flow with two sessions of our Summer Photo Camp for Kids and the Angel Island Summer Photo Excursion. All of these kids photography workshops are geared toward middle school-aged shooters, one of my favorite ages to teach because they’re able to handle more challenging concepts and assignments and they learn so fast.
The goals of the workshops are simple: Teach kids how to use their camera on manual mode and how to do basic post-processing in Lightroom—I find that even my intermediate students benefit from the review and practice of using their cameras with the exercises I give them. In the Angel Island workshop, which is made up primarily of students that already have some photography experience, we do some work with Photoshop as well.
Annie Leibovitz, a San Francisco Art Institute alum, began her famed career as a photojournalist for Rolling Stone in the early 1970s. Over the past 40 years, she has created some of the most stunning and most controversial photographs of her day. Her new exhibition Women: New Portraits now on display at the Presidio’s Building 649 at Chrissy Field features portraits of some the world’s most influential women, from ballerina Misty Copeland to anthropologist Jane Goodall to Facebook COO Sheryl Sandberg.
The Image Flow is back from our second (perhaps annual) workshops in Cuba. There were new experiences, old friends, and of course a night at the Tropicana. The group came home exhilarated and stimulated and with a portfolio of work even beyond our own expectations. Stuart Schwartz fills us in.
We wanted to build on the success of our first photography workshop in Cuba in April 2015, and this past February organized two more back to back, Cuba: Behind Closed Doors and The Havana Highway: Rum, Cars & Cigars. It was particularly satisfying to us as organizers that all six participants from last April signed up again, and we added to that some great new faces, including two old friends of mine who joined us all the way from Switzerland.
Both sessions turned out to be just ideal, from student participation to the variety of shooting opportunities. Of course there were glitches, as there will be when organizing a group of people—especially in Cuba—but it’s a testament to both our local guides Ramses and Alex and the go-with-the-flow attitude of the group that no matter what came up, we made the best of it. Ramses Batista, a renowned photographer in his own right, was our man on the ground; he’d make a call, and all of a sudden we were in a private apartment shooting portraits of a fascinating individual. Often, those little glitches served to make our experience even more authentic and unique.