Ever get up at the crack of dawn and haul out of the hotel/condo/AirBnb with a cup of coffee and camera and haul down to a beautiful beach or center of a quaint Eastern European city ready to take the perfect sunrise photography, only to be overcome with the feeling that it’s already been done? Here, travel photographer Jeff Zaruba offers five tips for turning the ordinary into extraordinary.
The Image Flow headed down to Big Sur for an all-inclusive weekend photography workshop shooting nude models and the rugged California coast, not to mention a tour of Ansel Adams’ private darkroom and a behind-the-scenes look at the Edward Weston estate. Stuart Schwartz offers a few words:
This is the first time we’ve held Big Sur Landscapes & Nudes, and you never know how a new workshop is going to go, so there’s always a bit of apprehension. But as soon as we got to the Center for Photographic Art in Carmel, CA, on Thursday, for a presentation of work by instructors Michelle Magdalena and Ken Parker and a motivational talk with Artistic Director Brian Taylor, it was pretty obvious it would a special weekend.
Building on the popularity and success of our first workshop in Cuba last winter, in February 2016, The Image Flow will host not one, but two Cuba photography workshops designed to give you an inside look at the most iconic aspects of Cuba, from a Cuban perspective. Space is limited to only eight lucky participants in each workshop, and both workshops are filling up fast!
Our children’s childhoods are fleeting, but the images we take of them don’t have to be. In the age of digital photography, just about everyone has a camera around at any given moment, ready to capture the next adorable moment in their children’s lives. But the pictures don’t always turn out as well as they could.
Jock McDonald went to Cuba for the first time in 1990 with Bernardo Gonzalez, the son of Mexican Minister of Culture Juan Francisco Gonzalez. The elder Gonzalez had had become somewhat of a mentor to Jock on Latin American culture after giving him his first retrospective show in Mexico. “Juan Francisco said to me, ‘You’ll never understand Latin America if you don’t understand Cuba,’” Jock recalls.
“But he said, ‘I’m not going, I’m married. I’m going to have my son take you.’ I will never forget the look in his son’s eyes, the look that said, ‘I’m not taking a gringo to Cuba!’” Jock laughs.
Since 1990, photographer he has made some 50 trips to Cuba. What keeps him coming back, are the friendships he has found.
Acclaimed National Geographic photographer Catherine Karnow will present her lecture “The Art of Photographing People” on February 5 at The Image Flow, and a workshop in March. Known for her photographs of people, here, she discusses her teaching style, her existential search for “home,” and what drives her to keep on shooting.
“No matter whether I’m shooting on location or in a workshop, I have the faith that the magic will always happen,” she says.
Working with encaustics began as a hobby for Margot Hartford, but now she is selling her pieces in four different galleries across San Francisco and on her website. She also teaches a popular workshop at The Image Flow.
“People like the process—they get into it. It’s tactile, easy, there’s nothing to learn. Anybody can do encaustics—that’s the beauty of it,” she said.