Acclaimed National Geographic photographer Catherine Karnow will present her lecture “The Art of Photographing People” on February 5 at The Image Flow, and a workshop in March. Known for her photographs of people, here, she discusses her teaching style, her existential search for “home,” and what drives her to keep on shooting.
“No matter whether I’m shooting on location or in a workshop, I have the faith that the magic will always happen,” she says.
You could say that Larry Davidson “discovered” photography as a young boy helping out his commercial photographer father. “I worked in his lab, and there was always a camera around the house when I was growing up,” Larry said.
In high school Larry and his friends built a darkroom in his garage from the spare parts they cobbled together from his father’s business in order to start a business of their own doing odd photography projects around town. But it wasn’t until later, when he took a few photography classes in college and also discovered Ansel Adams’s work that he says photography became something he could enjoy, just for the sake of it.
Larry’s work has since evolved from black and white landscapes, to bright and colorful architectural photography, to the vibrant abstract work he is now known for.
Hendrik Paul straddles two worlds: He grew up in Mill Valley, CA, where he took his first photography class in eighth grade. He spent his free time hiking on Mount Tamalpais and soaking up the northern California landscape, but his roots are firmly planted on a 500-year-old farm in Germany.
“It’s such a different life from how we live, this small farming community, living off the land. The men went out and did the field work and the women did the cooking. It’s still quite antiquated compared to California or America,” says Hendrik.
From southern Mexico to rural California, Matt Black documents the social issues of modern farming and the effects of one of the most severe droughts in recorded history.
Matt Black began photographing the small towns and expansive farmlands of California’s Central Valley for nearly 20 years. A native of that vast agricultural area that runs nearly the entire length of the state, Matt says he began to notice a shift in the people working the fields around his home town.
Anthony Fendler comes to The Image Flow after eight years in Santa Cruz as image collection manager at the Frans Lanting Studio. He has over two decades of professional experience using the digital darkroom and desktop publishing. He is an expert fine art printer and long-time photo workflow educator. He will be teaching workshops at The Image Flow as well as working with clients to fulfill all of their photographic and digital darkroom needs. Here he answers five questions on photography, technology, and how they intersect.
Teacher and artist Brian Taylor talks about his education, teaching and the “voodoo” of alternative process photography.
The Image Flow sat down with Gary Yost to discuss his experience trekking up to Pt. Arena in Mendocino County to photograph the unusual shaped rocks that reveal themselves only at certain tides. What inspired you to photograph Bowling Ball Beach in Mendocino’s Pt. Arena? I was at the Mill Valley Fall Arts Festival in […]
Photographer Barbara Hazen on her long-term love affair with San Francisco’s Grant Avenue.
How did a 14 year old become a rock and roll photographer? In those days concerts weren’t events featuring a single key artist with a minor opening act. Every concert was an event featuring 3 or 4 bands on each bill – and often an early and a late show. So the bands would play […]
Following is an excerpt from a conversation between independent curator Anne Veh and Trish Carney, a visual artist living in Marin County, California. On a warm July afternoon, Trish Carney and I met in Mill Valley to talk about her new body of work from her time in Yellowstone National Park this May when she […]
