After 25 years in the workforce, Jay Ruland decided to go back to school and, not surprisingly, found himself surrounded by 20-somethings. While he says he was welcomed by his junior contemporaries, he was struck by the way they perceive the world; that is, the things they found to be beautiful also tended to be as young as they were. As a 50-something, Jay says the aging process is beautiful in itself, and the desire to show that is the basis for his Withering Roses floral photography series, which will be featured in his new solo exhibition at The Image Flow As the Allure Fades opening on May 14.
“The younger students sort of had a bias toward things in society that are young and pretty, and we’re taught through the media that younger is better. But if you look closer in nature, things that are getting older are still beautiful and the process itself is a beautiful process,” says Jay.
He chose to work with roses because they are a societal symbol for beauty, something you’d give on a first date or use to decorate your house, but also because they can communicate ideas, from the number you give to the color, and transgress cultural barriers.
It is no secret that the medium of photography has become increasingly complicated by the advent of the digital age. Nearly every image we encounter—from advertising and billboards to packaging and fine art—receives some level of digital treatment before arriving in our periphery. Altered images have become so commonplace that they are no longer questioned.
Knowing this, why then is there a persisting notion of photography as a mechanism of truth? It seems to exist as a residual concept of the photograph as something objective and substantiated by its relationship to reality.
But what we perceive to be real is malleable and shifting. This is where my personal interests in photography seem to manifest, in a space where artists are free to toy with the artifice that is inherent to photographs. Through individual choices regarding process, presentation, and content, the following are a few contemporary photographic artists that tread the boundaries of illusion and reality.
Annie Leibovitz, a San Francisco Art Institute alum, began her famed career as a photojournalist for Rolling Stone in the early 1970s. Over the past 40 years, she has created some of the most stunning and most controversial photographs of her day. Her new exhibition Women: New Portraits now on display at the Presidio’s Building 649 at Chrissy Field features portraits of some the world’s most influential women, from ballerina Misty Copeland to anthropologist Jane Goodall to Facebook COO Sheryl Sandberg.
Fine art photographer Hendrik Paul is best known for his surreal black and white landscapes of the Marin Headlands, but he also likes to venture out at night to take ethereal images in both urban and rural settings.
Here our most accomplished night shooter shares his tips for night photography, from the best equipment to use to the best time to shoot, so you can start taking beautiful photos at night!
Our favorite kids instructor Constance Chu gives us four tips for young photographers (and you too) on how to be better at photography. She says, getting good at photography is just like anything else: To be good, you’ve got to work at it.
While she won’t guarantee you fame and fortune in photography, she says becoming a better photographer is not as daunting a task as it may sometimes seem—and it will also be a lot of fun!
Photography has come a long way since the daguerreotype. While the first 100 years focused on perfecting the chemical process, the next 100 years focused on popularizing it. Read on to discover nine of history’s most iconic cameras, and how they influenced photography.
Photographers who work with the historic, hand-made or otherwise alternative printing processes know that a good print requires a good paper. Each process has different requirements for what makes a “good” paper, and those of platinum/palladium printing are among the strictest.
It’s been almost 30 years since Kerik Kouklis made his first platinum/palladium print, and in that time, he says there’s never been such a selection of new and improved papers coming onto the market at the same time.
Here, in his own words, Kerik reveals the best of the best from long-time industry stalwarts Hahnemühle, Legion Paper, and Arches.
The Image Flow is back from our second (perhaps annual) workshops in Cuba. There were new experiences, old friends, and of course a night at the Tropicana. The group came home exhilarated and stimulated and with a portfolio of work even beyond our own expectations. Stuart Schwartz fills us in.
We wanted to build on the success of our first photography workshop in Cuba in April 2015, and this past February organized two more back to back, Cuba: Behind Closed Doors and The Havana Highway: Rum, Cars & Cigars. It was particularly satisfying to us as organizers that all six participants from last April signed up again, and we added to that some great new faces, including two old friends of mine who joined us all the way from Switzerland.
Both sessions turned out to be just ideal, from student participation to the variety of shooting opportunities. Of course there were glitches, as there will be when organizing a group of people—especially in Cuba—but it’s a testament to both our local guides Ramses and Alex and the go-with-the-flow attitude of the group that no matter what came up, we made the best of it. Ramses Batista, a renowned photographer in his own right, was our man on the ground; he’d make a call, and all of a sudden we were in a private apartment shooting portraits of a fascinating individual. Often, those little glitches served to make our experience even more authentic and unique.
If you read magazines or watch TV (or have landed at SFO recently) you’ve seen Chrysta Giffen’s work. With more than 12 years in the photography industry, she’s one of the most sought-after digital retouchers in the business. Her extensive client list includes Nike, Disney, and Sephora; Bravo TV, Discovery Channel, and Showtime; New York Magazine, Wired, and Men’s Vogue; and a certain giant albino python—just to name a few.
Stay in touch with The Flow!
Discover new workshops, get invited to events, and receive special promotions only for out followers!
Your information will *never* be shared or sold to a 3rd party.
