The Image Flow is back from our second (perhaps annual) workshops in Cuba. There were new experiences, old friends, and of course a night at the Tropicana. The group came home exhilarated and stimulated and with a portfolio of work even beyond our own expectations. Stuart Schwartz fills us in.
We wanted to build on the success of our first photography workshop in Cuba in April 2015, and this past February organized two more back to back, Cuba: Behind Closed Doors and The Havana Highway: Rum, Cars & Cigars. It was particularly satisfying to us as organizers that all six participants from last April signed up again, and we added to that some great new faces, including two old friends of mine who joined us all the way from Switzerland.
Both sessions turned out to be just ideal, from student participation to the variety of shooting opportunities. Of course there were glitches, as there will be when organizing a group of people—especially in Cuba—but it’s a testament to both our local guides Ramses and Alex and the go-with-the-flow attitude of the group that no matter what came up, we made the best of it. Ramses Batista, a renowned photographer in his own right, was our man on the ground; he’d make a call, and all of a sudden we were in a private apartment shooting portraits of a fascinating individual. Often, those little glitches served to make our experience even more authentic and unique.
If you read magazines or watch TV (or have landed at SFO recently) you’ve seen Chrysta Giffen’s work. With more than 12 years in the photography industry, she’s one of the most sought-after digital retouchers in the business. Her extensive client list includes Nike, Disney, and Sephora; Bravo TV, Discovery Channel, and Showtime; New York Magazine, Wired, and Men’s Vogue; and a certain giant albino python—just to name a few.
Marin County, CA-based filmmaker Gary Yost is best known for his short film The Invisible Peak about a project to restore the West Peak of Mount Tamalpais to its natural state. The film was shown in numerous film festivals to acclaim and awards. Most recently, Gary was invited to the Fijian island of Vanua Levu by Gavin de Becker, founder of the Naqaqa Giving Foundation to film the indigenous people of that island.
Ted Orland is one of The Image Flow’s favorite wandering photographers, with a love of photography and life that is truly infectious.
He began his career as a young graphic artist working for famed designer Charles Eames and later served as photographer Ansel Adams’s assistant. Now a celebrated landscape photographer himself, Ted’s portfolio spans classical black and white photography, hand-colored photographs, and one-of-a-kind multi-image panoramas. He also co-authored the best-selling artists’ survival guide book Art & Fear: Observations on the Perils (and Rewards) of Artmaking.
This spring, Ted will lead a new landscape and travel photography workshop to California’s Salton Sea and Joshua Tree National Park along with Brian Taylor, artistic director of the Center for Photographic Art.
In his own words, Ted shares seven of his favorite photography subjects throughout in this unique region of California.
Ramses H. Batista is one of Cuba’s most renowned modern photographers, his career spanning more than 20 years and virtually every subject imaginable: portraiture, social documentary, religion, landscapes, and most recently, nudes. But Batista didn’t start his artistic career as a photographer; as a young man, he was a painter, until one defining interaction with an instructor changed his path forever.
“His painting instructor told him, ‘You’re a terrible painter. But you would be a very good photographer,’” says San Francisco-based photographer Jock McDonald, a long time friend of Batista’s who has himself made more than 50 trips to Cuba.
Ramses took his instructor’s advice and turned toward photography and cinematography. He has since worked with several Cuban and international photography agencies and magazines, and has had numerous solo exhibitions in Cuba, Canada, and Europe.
Ever get up at the crack of dawn and haul out of the hotel/condo/AirBnb with a cup of coffee and camera and haul down to a beautiful beach or center of a quaint Eastern European city ready to take the perfect sunrise photography, only to be overcome with the feeling that it’s already been done? Here, travel photographer Jeff Zaruba offers five tips for turning the ordinary into extraordinary.
The Image Flow headed down to Big Sur for an all-inclusive weekend photography workshop shooting nude models and the rugged California coast, not to mention a tour of Ansel Adams’ private darkroom and a behind-the-scenes look at the Edward Weston estate. Stuart Schwartz offers a few words:
This is the first time we’ve held Big Sur Landscapes & Nudes, and you never know how a new workshop is going to go, so there’s always a bit of apprehension. But as soon as we got to the Center for Photographic Art in Carmel, CA, on Thursday, for a presentation of work by instructors Michelle Magdalena and Ken Parker and a motivational talk with Artistic Director Brian Taylor, it was pretty obvious it would a special weekend.
Emerging nature and landscape photographer Mary D’Agostino is as homegrown as much of her work. A busy executive by day, Mary used to spend her vacations painting wildlife, but in recent years, she has developed a passion for photography. She put herself through a “school of photography” taking workshops and classes at The Image Flow and started working one-on-one with Stuart. “I was doing projects and shooting a lot, and I would routinely bring my work in for critique from Stuart.”
Mary has also sought critiques from experts in the field of nature photography, which have been met with increasing success. “I’m fearless when it comes to finding people in the field of photography to evaluate my photographs,” she says.
Nathan Lomas has been a photographer since the age of five. He’s dabbled in painting and a few other pursuits, but photography is the one that stuck. “My dad put an old Ricoh camera in my hands about that age. I didn’t really know what I was doing,” he says. Jump ahead a couple of decades, and Nathan has definitely figured it out.
Nathan is The Image Flow’s newest team member, a photographer, adjunct professor, and studio owner specializing in making antique tintypes modern again.
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