Emerging nature and landscape photographer Mary D’Agostino is as homegrown as much of her work. A busy executive by day, Mary used to spend her vacations painting wildlife, but in recent years, she has developed a passion for photography. She put herself through a “school of photography” taking workshops and classes at The Image Flow and started working one-on-one with Stuart. “I was doing projects and shooting a lot, and I would routinely bring my work in for critique from Stuart.”
Mary has also sought critiques from experts in the field of nature photography, which have been met with increasing success. “I’m fearless when it comes to finding people in the field of photography to evaluate my photographs,” she says.
Nathan Lomas has been a photographer since the age of five. He’s dabbled in painting and a few other pursuits, but photography is the one that stuck. “My dad put an old Ricoh camera in my hands about that age. I didn’t really know what I was doing,” he says. Jump ahead a couple of decades, and Nathan has definitely figured it out.
Nathan is The Image Flow’s newest team member, a photographer, adjunct professor, and studio owner specializing in making antique tintypes modern again.
On the cusp between student and teacher, Leanne Hansen discusses her career before photography, the importance of light, and finding her best images close to home.
“To make successful photographs, we need to understand all of the possibilities and variations for light.” Her new workshop The Language of Light for Photographers offers photographers the opportunity to explore and experiment with the different types, shapes, and colors of light.
The Image Flow has been buzzing with kids this summer, and we couldn’t be more impressed or proud of the work they’ve turned in! Our most recent workshop, OMG! Summer Photography for Youth, saw our very own Constance Chu lead a group of extremely talented kids ages 11 – 14 around Mill Valley while they looked for light, shadows, and shapes while learning how to maximize their cameras’ manual settings.
Mark Nelson, photographer and developer of the patented Precision Digital Negatives process, says you always have to be on the lookout for an opportunity. Mark gave up a successful career in the mental health industry to pursue photography, and while he has a loyal following of galleries and collectors, he is known for a system for generating the best digital negatives for alternative processes.
Our children’s childhoods are fleeting, but the images we take of them don’t have to be. In the age of digital photography, just about everyone has a camera around at any given moment, ready to capture the next adorable moment in their children’s lives. But the pictures don’t always turn out as well as they could.
Whether you’re uploading your pictures to the Internet for business or pleasure, here are a few tips for how to protect your images in this digital world.
In Wish You Were Here, author Bob Roberts details the life and work of his father Mike Roberts, which spanned more than 50 years. A self-taught pioneer in the development of color photography and printing, Mike was a 20th-century icon known as America’s Postcard King.
Lightroom expert and in-house retouching specialist Taralynn Lawton worked three years to retouch 70 of Mike’s historic color and black and white images.
“There was one piece that we had from the cover of a Disneyland magazine. It was really a disaster and she patched up the color and the image so that you have no idea,” says Bob.
Catherine Karnow has shot in far-flung places around the globe, but she loves shooting at home in San Francisco and Marin. She says one of the reasons she lives in Mill Valley is because of how photogenic the Bay Area is. She gave The Image Flow the inside scoop on her five favorite places to for stay-cation shooting.
Zac Mosher, a 14-year-old student at Mill Valley Middle School, has been spending several hours per week in the darkroom at The Image Flow for the past six months processing and printing his black and white images.
“I actually started shooting film after I started with digital, but I wasn’t super into photography at the time,” he says. Later, he discovered his mom’s old cameras while going through a storage unit with his parents. “I thought they were really cool. So I got the cameras and went out and got some film. That’s what really sparked my interest.”
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