Of all the eras and styles in the medium’s history, art historian and photographer Jeffrey Martz is most drawn to the 19th-century amateur pictorial photographers such as Lewis Carroll, Clementina (Lady Hawarden), and Julia Margaret Cameron.
“An amateur photographer was a clearly-defined category of maker in the 19th century, someone who pursued photography seriously but not professionally. They weren’t in a studio trying to please a client, and because of this, they were free to make the best possible pictures in whatever style they wished. They did their work literally for the Latin root of the word—amore—or love,” Jeffery explained.
Of all the eras and styles in the medium’s history, art historian and photographer Jeffrey Martz is most drawn to the 19th-century amateur pictorial photographers such as Lewis Carroll, Clementina (Lady Hawarden), and Julia Margaret Cameron.
“An amateur photographer was a clearly-defined category of maker in the 19th century, someone who pursued photography seriously but not professionally. They weren’t in a studio trying to please a client, and because of this, they were free to make the best possible pictures in whatever style they wished. They did their work literally for the Latin root of the word—amore—or love,” Jeffery explained.
Ever get up at the crack of dawn and haul out of the hotel/condo/AirBnb with a cup of coffee and camera and haul down to a beautiful beach or center of a quaint Eastern European city ready to take the perfect sunrise photography, only to be overcome with the feeling that it’s already been done? Here, travel photographer Jeff Zaruba offers five tips for turning the ordinary into extraordinary.
Emerging nature and landscape photographer Mary D’Agostino is as homegrown as much of her work. A busy executive by day, Mary used to spend her vacations painting wildlife, but in recent years, she has developed a passion for photography. She put herself through a “school of photography” taking workshops and classes at The Image Flow and started working one-on-one with Stuart. “I was doing projects and shooting a lot, and I would routinely bring my work in for critique from Stuart.”
Mary has also sought critiques from experts in the field of nature photography, which have been met with increasing success. “I’m fearless when it comes to finding people in the field of photography to evaluate my photographs,” she says.
In Wish You Were Here, author Bob Roberts details the life and work of his father Mike Roberts, which spanned more than 50 years. A self-taught pioneer in the development of color photography and printing, Mike was a 20th-century icon known as America’s Postcard King.
Lightroom expert and in-house retouching specialist Taralynn Lawton worked three years to retouch 70 of Mike’s historic color and black and white images.
“There was one piece that we had from the cover of a Disneyland magazine. It was really a disaster and she patched up the color and the image so that you have no idea,” says Bob.
Zac Mosher, a 14-year-old student at Mill Valley Middle School, has been spending several hours per week in the darkroom at The Image Flow for the past six months processing and printing his black and white images.
“I actually started shooting film after I started with digital, but I wasn’t super into photography at the time,” he says. Later, he discovered his mom’s old cameras while going through a storage unit with his parents. “I thought they were really cool. So I got the cameras and went out and got some film. That’s what really sparked my interest.”
This month, The Face of Water, a series of portraits by Rudi Dundas that tells the stories of people affected by the lack of clean drinking water, opens at the World Affairs Council in San Francisco. On February 26, Rudi will give a lecture about the images at The Image Flow.
Time-lapse images of West Peak that show the contrasts between the beauty of the natural setting and the detritus of the old Air Force Station are just one aspect of the film I’m making. As I wrote in my first blog post, the overall point of this piece is to spearhead a fundraising campaign to restore the peak to its natural state. That means there will be historical material, interviews, reconstructions, and all of the things you’d expect from a storyteller such as Ken Burns.
One of the most important things I need to do is establish the location of the site so that everyone can clearly see where it is. The time-lapse material doesn’t do that very well, so I need to augment it with aerial images. I’m doing this with two kinds of aerial footage: images from a helicopter starting at the Golden Gate Bridge and working up to an orbit of the Peak, and images from a drone shot low and in the ruins themselves. I’ll be combining these with additional footage to establish the setting and emotional pace very early on in the film.
The Image Flow sat down with Gary Yost to discuss his experience trekking up to Pt. Arena in Mendocino County to photograph the unusual shaped rocks that reveal themselves only at certain tides. What inspired you to photograph Bowling Ball Beach in Mendocino’s Pt. Arena? I was at the Mill Valley Fall Arts Festival in […]
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